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A Cat’s Tale

Barb Wallace shared a lesson about writing from her brain damaged cat today.

Be warned- if you are a cat lover, have a tissue ready, if you’re not a cat lover, be prepared to be squicked out.

I hope you think the story is worth it- I did!

The think that’s struck me, thinking about Squeak’s story, is the zen-like paradox of it. To reach the place where Squeak had the chance to get better, they had to accept that he might never get better, that this might be as good as it got, and yet not give up on him.

I’m just thinking how liberating that might be for my writing. To take the pressure off, to write as if publication didn’t matter. To take risks and write wild rather than write what I think fits in, will be acceptable.  To keep on writing and submitting, but less attached to my hoped for outcome. I’d love to just be able to be with what is when it comes to my writing, the way Barb and her husband were with Squeak.

How would it be different if I just wrote everyday but didn’t worry about word counts? How would it be different if I wrote a story that resonated with me rather than a story that tried too hard to tick the right boxes? How would it be different if I let myself be where I am right now with my wrtiting, instead of constantly telling myself I should be somewhere else?


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Believing in ourselves

Today’s post started as a reply to a comment on my old blog, to a post I wrote ages ago about trying to start doing The Artist’s Way again, especially Morning Pages, to get unstuck.

Plaintain’s comment is such a gift to me, because – guess what! – I’m feeling kinda stuck!

My WIP is a hot mess, with far too many tangled threads of conflict. I’ve only written the partial and now I’m working on the synopsis. It reads great until the end, then if comes undone. I have too much going on! Getting it resolved is going to be damn near impossible.

Those nasty little critical voices in my head are back, full volume. Telling me I can’t write. Telling me I don’t have what it takes. Telling me I’m crazy to try, I have no talent, I’m wasting my time, my dream of writing full time will never happen so I should just use my time doing something more useful.

That’s where plaintain‘s comment is so timely. She wrote

I guess my inner critic is so strong: as I begin to write, I can feel something goading me to stop as if telling me I’m not clever at this, and it is only for naturally talented people.

One of the most damaging things for people wanting to do any creative activity is the myth we are fed about “natural talent”.  It’s bullshit, to put it mildly.

I gave up writing for years because I had the belief (told to me by my father) that if I was talented, it would come easy, and the fact that it didn’t proved I had no talent and shouldn’t bother trying.

What a lie!

Some people find their niche sooner than others, the place where their unique style fits. Some people have more self-belief and confidence so the ideas flow easier because they aren’t censoring and blocking themselves. Some rare people do have a gift.

I find the 10,000 hour theory immensely reassuring. You know, the idea, that it takes EVERYONE, even the naturally talented, 10,000 hours of practice to truly achieve mastery? That’s a truth I can live with. There is no secret knowledge known only to a few, there is no special talent we either have or we haven’t, it’s a matter of keeping going, putting in the hours. Getting past the self-censorship helps too. It’s just a little easier for the “naturally talented” because they have the belief in themselves to push them on.

Each of us can offer something to the world no other person can- our unique voice and experience. When we can allow ourselves to believe that, putting in the work becomes easier. We’re less likely to be discouraged by resistance and those inner voices, and the outer voices too if we’re in an environment or with people  where our creativity is not supported.

The Artist’s Way works for many people because both these things are the whole point of the Morning Pages. We write, and we don’t censor. It takes time, but we bypass the inner critic and get to the truth we hold inside us.

TAW is one way, though not at all the only way. I’m not doing Morning Pages now, haven’t for ages, though I do get up at 5am most days and work on my story. Maybe I could try again, free writing without expectation, discover what the answers for this story are. They are already there, inside me, I just have to find them.

I need to take the pressure off and concentrate on the process of creating, not the outcome I want. I’m pushing myself to get this submission package together because I want another sub out there, not because the story is ready to send. 

I’m pushing to sub something just because it’s been too long since my
last sub, eight months. Not the best way to approach things! I have to slow down and  sub my best.

What I need to do is honour my writing process, finish the story first, then sub. I can’t rush that, all I can do is show up at the page and write the story. At least finish first draft before I try to put together a submission packet, so I know
what I have.

*sigh* I did want to do three subs this year. Something via slush,
something for New Voices in September (2011 just announced), and something for So You Think You Can Write in November.  Looks like it will only be two out of three unless I really get my finger out.

The paradox is, I think by pushing so hard, I’ve slowed myself down. I’ve spent so long worrying over the story and whether it works! If I’d used that time writing instead, I could have the bloody thing halfway written at least.

I recently read a great little book called The War of Art by Steven Pressfield. It’s all about the sneaky ways our own resistance undermines us. I think I just discovered another way!

The lesson for me here is- If I feel stuck, maybe I’m trying to push too hard. Maybe there’s a better way to do it.

I feel light, uplifted, and energised after deciding to stop pushing the synopsis and just keep writing. It could be I’m kidding myself and I’m just putting off subbing, of course. Or it could be that this is the best way forward for me right now.

This story is definitely getting subbed this year! But maybe it’s my SYTYCW entry, not the slushpile sub.


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Yet another Harlequin writing opportunity!

This time for Special Edition, here.

It sounds good-

Have you always dreamed of writing for Harlequin Special Edition? Do you feel you have a sophisticated, substantial and emotional holiday story to tell, with characters that leap off the page? Then we have the perfect competition for you!

The Harlequin Special Edition Happy Holidays contest for first chapters and synopsis is your chance to get your work in front of the editors of Special Edition.

Details:

*This competition runs July 13-September 15th.

*The competition entry must consist of the first chapter (15-20 pages) and a one-page synopsis specifically geared to Special Edition and must have a holiday theme. For Special Edition guidelines, check here: http://www.eharlequin.com/articlepage.html?articleId=556&chapter=0

*Enter online using the following address: specialedition@harlequin.ca (Please note this mailbox is ONLY for contest submissions) with the entry in the body of the email. No attachments will be opened.
*Entries will be read by Gail Chasan, Senior Editor; Susan Litman, Editor and Sarah McDaniel, Editorial Assistant.

*Winner will be announced during Special Edition’s online event November 1-16th, “The Twelve Books of Christmas.” The winning entry will be posted and will include a few sentences from each of the editors as to what made the winning entry stand out and why they liked it.

*Entries must be received by September 15th and sent in the body of an email to the above address or they will be disqualified.

This one I might be interested in. The Intrigue one- nope! I like reading them, but I know I’d be rubbish at writing them.

I’ve never really worked out what the difference is (besides length) between Supers and Special Editions and American Romances.

What exactly do they mean by “sophisticated” in reference to the stories, anyway?

Here in the UK, they don’t sell under those series names. There’s a line here called “Special Moments” which publishes one Super and one Special Edition in a double book, I think just 4 a month.

I know I used to love reading them. Back when they had the lilac tops to the covers and the lilac spines. Yet every time I read their guidelines now, I’m kind of thrown, and I can’t imagine what it is the editors there are really looking for.

*sigh* Probably better not let myself get distracted.

All these contests could be too much of a good thing.

Right now, I have nearly 21,000 words to try to condense down into a partial that has richness, emotional depth, and leaves the editor wanting to read the rest of the story.

Plus I want to enter the New Voices contest in September. And So You Think You Can Write in November. And to finish a load of other half done stories from the past couple of years.

Do I really need another contest? I don’t think so. But maybe this one is just right for you?


2 Comments

Overwriters Anonymous?

Is there such a thing? If so, I sure need it!

Progress has been superslow on my Memorial Day story, mainly because the supposed Summer Slow-down in the Day Job turned into the Summer Scorcher let’s-see-how-many-Air-Ambulance-trips-we-can-fit-into-a-fortnight accident fest. Plus a colleague needed surgery and has been off work.

Then I needed to research child custody procedures and how a court hearing would work. Not that my character’s situation is going to be particularly realistic, but I do want it to be vaguely believable!

Wordcount on the story has been crawling along slower than a snail on Xanax.

To make things worse, I am oh-so-seriously overwriting. This is always my problem, but I thought I’d beaten it this time. No such luck. I’m now at 20,000 words and haven’t even gotten my characters inside the courtroom for the pivotal scene that ends chapter three. Either these are going to be awfully long chapters, or some heavy duty cutting for pace is in my immediate future.

In the meantime, this made me giggle-

 

Okay, I have the house to myself for a few hours, I’m willing the on-call phone not to ring, it’s time to push Jack and Kate kicking and screaming in through that courtroom door and get this chapter finished at last!

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