Finding home, finding love – writing romance, making clothes, growing food, and growing up

Adventures in living an authentic creative life


2 Comments

Don’t turn your characters into contortionists


Photo by Ron Sombilon Media, Art and Photography

Don’t turn your characters into contortionists! That’s my big writing lesson this week.

I had what I thought was a good idea. I had two interesting and complex characters, with deep emotional conflict. I had a setting I like, London at Christmas.

What I didn’t have was a story that worked.

My mission is to write a 10 to 15 K romantic novella, based on the song Santa Baby, ready to submit by July 10. It took doing this week’s course homework for the writing course I’m enrolled in to figure out what wasn’t working. A key part of the homework is to write a sentence summarising the story in 30 words or less.

I couldn’t do it! The characters sounded hopelessly unsympathetic for a light Christmas novella, even to me who created them. I needed to explain too much. There was too much in the plot that was dark and heavy (death of a key secondary character). Sheesh, I don’t know that the secondary characters should even have names in a 10K novella, let alone a crucial role to play in the character arc for the hero or heroine!

 The other thing that gave me a big clue was that I really couldn’t fill in the main pre-writing tools I use for these characters as I had them. If I can’t do that, I know there’s something wrong!

I’d spent all week doing story development. Started writing the story, but I knew I just didn’t have it right after one chapter. The characters didn’t fit the story, or the story didn’t fit the characters. I’d had to make the characters do things that were too out of character. I’d turned them into contortionists.  No way was this a story that met the brief. I still think I have the seeds of a good story in there, but not for this Call for Submissions.

In the past, this is where I would have given up on having anything to sub for this Call for Submissions, and grabbed at the next new bright shiny story idea.

This time, I kept playing with it. I’ve promised myself to see through a story once I start it, as I’m a serial non-finisher. Ideas for how to change things kept coming. But I had way too much going on for a short novella. The characters had to change too much to get from where they began to a resolution in fifteen thousand words. The plot was so convoluted I needed contortionists as hero and heroine.

I wrote in the last entry how I realised I had the heroine all wrong. I’d made her relate to the words of the song way too literally. Once I had that, and slept on it, the rest fell into place like dominoes. The hero. The conflict. The resolution.  

It felt almost miraculous how I woke up yesterday knowing just what the story needed. A classic opposites attract romance. Pared right down to the bare minimum, the essence of who the characters are. Yesterday, I did the Save the Cat beatsheet, and the Identity to Essence chart. It worked!

Today, I did an outline, and just finished a very rough draft of chapter one on the Alphasmart so I wouldn’t stop to edit as I went. I feel happy with what I have. It seems to me this is the best story I’ve done, in terms of having the conflict and structure in place, but I’ve thought that before! I’m too close to it to see what I’ve missed or what I have put in that really doesn’t work.

The chapter is too long, at 1800 words, but that’s good because I’ll have lots to play with when the time comes to edit. I’m going to resist the temptation to start tidying it up now. It can stay as it is, gross typos and all, until I have a complete first draft. It should come in at around 18,000, then I’ll need to edit it down to under 15. It I have something that looks a total mess that I HAVE to cut, I won’t be so in love with my own words I miss what need to come out.

That’s the theory anyway!

How much pre-writing planning do you do? Is it different for each story? Any tools you use and recommend?


5 Comments

A starting point- with my writing room and with the story

Planning is hard work!

It’s been a busy weekend. I’ve planned the work I need to do to transform a small garden shed into a writing room, and I’ve done more planning for my new story, a Christmas themed romantic novella.

I almost have my full shopping list of what I need to buy to fix the shed, I just need to do the sums to work out how much of the timber I need to buy. Insulation, tongue and groove spruce cladding boards to paint a light sunny cream, trim for the edges, perpex to reglaze and double glaze the windows. A big sheet of white coated mdf or similar for the desk, stretching wall to wall, then white bookshelves down either side right up to the door. Touches of bright lime green  and turquoise in the accessories. Cork tiles to use as a pinboard between the desk and a high bookshelf.

I can see how it will look finished. I just hope my skills are up to the job of transforming it!

I’ve decided to leave starting work on this until July. Two reasons- I won’t start the part-time job until mid-July, and I started the new novella with a deadline of July 10. Meeting the deadline will be tough enough without taking more time off from it to work on the shed.

And I’ve just realised tonight while doing the homework for the writing course I’m doing, Holly Lisle’s How to Think Sideways, what it is that’s been niggling me about the story over the past two days. I’m doing lesson 4, Good to Great. I knew I had a good idea, yet I couldn’t get it to work in a way that felt right to me.

In the past week, since I read the Entangled Call for Submissions, I’ve written nearly 6000 words of notes. I’ve almost completely filled in a Beat Sheet (word counts tweaked for a short novella length) and GMC charts for each character (fabulous ones, I’ll post them here as soon as I get time).  I wrote the first 1500 words of the story. But I knew I didn’t have it quite right. My instinct was telling me the story was somehow off, like a wobbly unbalanced wheel, but I couldn’t figure out why or where.

I thought the problem was that I didn’t have a good enough handle on the ending. It was too dependent on outside factors, and not driven enough by decisions the characters make, the emotional growth that’s needed so they can have their happy ever after. I asked before I went to bed for the answer to be in my mind when I woke up. I slept badly, my mind was too active on a million and one things that had nothing to do with the story. I woke up and started morning pages and didn’t have a clue about what the story needed. My mind seemed a total blank.

I asked again anyway. And out it came. the perfect ending to the story. Even five or six hundred words of actual story. Fast and effortless and exactly what the story needed. Amazing. I love it when that happens.

But something still nagged at me, felt off. Not the ending, something else.

Tonight I figured it out. I completely misunderstood my heroine and her motivation and what Christmas meant to her and what that song meant to her (the brief is to write a short romantic novella based on the song Santa Baby). I didn’t have the hero right, either. I have to scrap my first idea of who she is and who he is, and almost do a 180 on it, but it’s right. It makes sense of the story. It fits the ending and the middle I see.

So strange how that happens, but I know it’s right. The story developed way past my initial very literal conception of her character and how she related to the song, but I clung on to it anyway and tried to shoehorn it into the story it didn’t fit any more. 

Now all the pieces click together, with that lovely satisfying clunk, I can really start to write. I have the feeling this story could be less of a challenge than turning the interior below into a cosy all year round writing space!


13 Comments

A room of my own to write- at last!

My big discovery this year has been that a lot of my “shoulds” are not really as essential as I thought.

Sometimes it is possible to get what we most need, even if it doesn’t appear as if we can.

I work a very busy and stressful job and am the sole income earner for our household. Other people depend on me. I pinned all my hopes of having my life a little more how I want it (full time fiction writer, my dream since my teens, when I was firmly told that was not an option, and silly me, I listened!) for when my life situation changed and I could take early retirement and move back to Australia.

One day I realised I’d been playing it safe too long and the time to start making my life how I wanted it is right now, not five or ten or fifteen years in the future.

Next month, I drop back to part time hours in my job. Still playing it safe- it will bring in just enough to cover all the bills as long as we are frugal- but changing the balance totally. I’ll be a full time writer and part time nurse, not someone who squeezes writing in when they can, in the cracks.

The next big challenge- finding a writing space.

We live in a tiny one bedroom house. No chance of carving out any private space where I wouldn’t be interrupted. My husband doesn’t work, so he’s home all day every day. With the best will in the  world to give me peace and quiet (and as an extrovert, he is totally unable to understand anyone needing peace and quiet!), he going to have to come into our bedroom from time to time during the day. I could see myself using him as an excuse for not writing and getting angry and resentful. I had to get a writing space. I checked out all the local options. The town library? No, far too noisy, they have school kids doing classes in there every day of the week. A coffee shop? None really felt comfortable as somewhere I could buy a diet coke and sit in the corner writing for  few hours.

My solution (as my solutions often are!) was an extreme and impulsive one- let’s move house. There are a couple of two bedroom houses we could almost afford in town. One I adore and would love to live in, an old 16th century cottage, tiny and low ceilinged, but yes, it has two bedrooms.

After a lot of arguing discussing with my husband yesterday, it became clear that is not an option. There are many things he doesn’t like about our present house, but he wants to move even less.

Then this morning he surprised me. He offered my his garden shed. That’s a really big thing for him to do.

It’s a nice shed, only 8 foot by 6 foot, but that will be big enough to use as a combination writing sewing room if I design the space carefully. You can see the corner of it in the photo of part of the garden. He bought this himself when he was trying to set up a computer repair business. That didn’t work out and the shed has mainly been used for storage since, but it’s always been his space.

Something I have to admit I’ve resented. I desperately need private space, and I haven’t had that since we got married. This was his house for over twelve years before we met. My little studio flat was even less suitable for us both to live in, so I moved into his place, supposedly only as a temporary thing until we bought a place that was “ours”. That was nearly ten years ago!

So, now it’s clear we won’t be moving anywhere for a while.  And as a peace offering, he’s giving me his shed. It needs fixing up on the inside, lining and redecorating, but he’s agreed I can do it however I want. I’m going to enjoy doing that. He loses his shed, in return he gets a happier wife and no pressure to move house. He thinks it’s a fair deal, I do too!

So it actually looks like I am going to have it all, time to write and space to write, something that seemed impossible at the start of the year!

It’s definitely worth asking yourself- where are you playing it safe and limiting yourself? What are you not doing right now that you wish you could? Is there any way you could do that now?

If not, why not?


Leave a comment

Is this you?


Image found here

Me too!

That’s why I have to write.

Lots more for introverts here.

My darling husband thinks he’s an introvert, but I’m sure he’s a very shy extrovert, a painful way to be. Poor guy. I know I’m an introvert because I love the idea of staying home by myself all day, but it makes him shudder. He can’t understand my need for solitude one bit.

They say in every couple there’s one introvert and one extrovert. I’m not sure that’s always true, but I’m pretty sure it is in our case!

So, what are you? An innie or an outie?


8 Comments

The power of negative thinking- no more excuses!

Photo by Bethany L King

Another lesson for writing from weight loss - no more excuses

I want to lose weight more than I want to eat that. My paraphrase of Kate Moss’s saying- “Nothing tastes as good as skinny feels.”

When I was fat, her saying made no sense. I thought it was another call to anorexia. The truth was, I wanted to eat garlic bread and chocolate and drink wine more than I wanted to be slimmer. That’s a valid choice, I believe. Skinny does not necessarily mean healthier. Far from it.

Only when  a health scare shocked me into realising I wanted to lose weight (and my goal wasn’t to be slim, just to be kind of medium large instead of extra extra large, and I’m still far from skinny because I don’t have that tiny frame) did it make sense to me.

I had to choose- what did I want more- to eat and drink whatever I wanted, or get healthier? Because the only way to do it is to keep deciding, every time there’s a choice about what to eat or drink and I’m tempted by the fattening, less healthy option, that I want to be slim more than I want to have that piece of garlic bread, that chocolate, or that glass of wine. I want to lose weight more than I want to eat that.


 How it applies to writing- I want to write more than I want to …

I can use the same thing with time management too, to help me write. When I set aside time to write then find myself frittering it way in things that aren’t writing. When I don’t seem able to make time to write at all. That’s when I need to look at what I’m doing and decide. What do I want to do more? Browse ebay, or write? Read blogs, or write? Even what do I want to do more, write a blog post or write story?

I’m writing this now in my morning pages, so that makes it okay! Almost.

But you see what I’m saying.

Some days we really can’t write. There’s just too much to do that has to be done. There are so many things in our lives, genuine, big, important things like jobs and families and other responsibilities that make it hard to write. Things we have less choice about or we feel we can’t choose not to do.

We can’t beat ourselves up about those days, though if we have too many days like that we can look at whether we do have other choices with some of those things. That’s how I ended up deciding to work part time instead of full time.

Other days, though, we could write, if we chose to. What we’re doing isn’t big or necessary or important. It doesn’t feed into any of our immediate goals.

We can mask it as a need to relax. True, we do need to relax, but spending the whole evening vegged out in front of the TV may be overdoing it! We can mask it as something that relates to a long term goal. For me, that’s spending hours looking at what houses are for sale in the area I want to move to eventually and daydreaming about what my life would be and how I’d change this house and do that in the garden. 


What do you REALLY want to do? You CAN change your goal!

All that stuff is good. It’s okay to do. But if I’m doing too much of it and it’s getting in the way of me achieving my immediate goal- to finish and submit the novella by September 1, for example- it’s time to ask what I want more. Do I really want to be doing this?

If we really don’t want to do the work towards the goal more than we want to do any of that other stuff, maybe we picked the wrong goal. Maybe we picked the goal we thought we should want rather than the goal we really want.

If you say you want to be a writer and your goal is to write a novel, but every time you sit down to write you do a blog post instead, maybe you really want to be a blogger or essayist rather than a novelist. That’s okay. We need to do what we love, not what we think we should do or someone else thinks we should do. There’s an easy answer.

Be honest about what we want most and change the goal.

That way, you can be more focused on what you really want. And it’s useful to be able to stop beating yourself up for not working on that novel! 


I want to do this- but I can’t! Sometimes what’s stopping us isn’t what we think it is.

Honesty is the key here. Because if you really and truly want your goal, but  still aren’t putting in the work, it’s time to ask why.

Write down all the reasons.

I can’t write my story because I don’t have time. I can’t write my story because the Day Job fried my brain. I can’t write my story because I have no private writing space and my husband keeps interrupting me.

I’m reading Barbara Sher’s Wishcraft. Thirty years old and still an awesome book; wise, funny, and helpful. You don’t even have to buy it, she’s put it up online for free.

She says-

The real problem is very deep and painful and complex, and it has nothing to do with boats Day Jobs or rowing available time or seasickness space to write. What it does have to do with is the negative feelings that come up every time you start thinking about going for your dreams.

If every time you sit down to write your novel you find yourself doing a blog post instead not because you love to blog and you’d rather blog than write story, but because writing story feels too hard and too frightening and you want to do it but something in you just freezes, this isn’t a wrong goal.

It’s self-sabotage.

The thought of going for what we want can paralyse us. It can bring out all sorts of painful feeling and inner conflicts. Sometimes we don’t realise that’s what’s really happening. We mask it with excuses good valid reasons for not doing it instead.

Could be that the real reason you’re not writing is that it’s too big or too scary or too challenging.

If that’s why you aren’t doing it, a different strategy is needed. Don’t give up on your dream, deal with what‘s stopping you.


Excuse busting- the power of negative thinking

Her technique for dealing with this is surprising. It probably contradicts everything we thought we knew about the right attitude for achieving our goals. It’s got nothing to do with making ourselves do it anyway or forcing ourselves to have a positive attitude.  

She calls it “The Power of Negative Thinking”.

First, we write down all the reasons why we can’t do what we want.

The reasons might look very practical and valid on the surface. But often they aren’t the real reason we aren’t doing what we want. We need to go deeper, just like we do with our characters to get at their motivations and inner conflicts. We need to explore the real feelings underneath the reasons.

It’s worth doing this, even if you’re reading this and thinking it really doesn’t apply to you.

Hint- if there’s any important goal in your life you just don’t seem able to get around to doing anything about, this process could help you!

As we dig deeper, we’ll discover the source of our resistance, and unlock the power tied up in that resistance. The power of negative thinking.

Barbara says-

Because you’ve dug down through all those heavy layers of “I can’t,” and struck a defiant gusher of “I don’t want to and I won’t.” Depression is an energy crisis, and negativity is energy—pure, ornery, high-octane energy. It’s just been so repressed and tabooed that we’ve forgotten something every 2-year-old knows: how good it is for us to throw a tantrum. We’re all such good little girls, such brave, stalwart little boys, such polite little children—and inside every one of us is an obnoxious, exuberant little brat, just squirming to be let out. I’ve got one. So do you. That brat is your baby, and you’d better love her, because you ignore her at your peril.

The operative principle is, “Get it off . . . and then get on with it.” You’ve got to let negative attitudes and feelings happen. Only then will you be ready for positive problem-solving, planning, and action.

She goes into lots of ways to do that here, in chapter five. It’s really worth reading. The whole book is!

Basically, we need to let our inner child throw that tantrum it’s longing to have. We need to let out all those whinges and moans and  complaints that “It’s not fair.” This is what’s really stopping us.

The only way that inner child can express itself right now is by sulking, refusing to do the work. It’s doing a good job of that.

Instead, let it throw it’s wobbler, then see what happens.

I’m going to try this.

If you try it too, please share how it worked for you!


3 Comments

You can do hard things


Photo by Andrew Morrell Photography

Loving this post by Anna Elliot on Writer Unboxed- “Lessons Learned from Wrangling with the Impossible Book“.

It’s a fabulous post. All of it. But this section particularly resonated with me-

I can do hard things. I read about this idea somewhere and decided awhile back that I was going to make it my personal mantra: I can do hard things. It’s so simple–and yet it’s just an invaluable mindset to be able to place yourself into when faced with a challenge. And let me tell you, I have seldom needed it more than when wrestling with this book! Every book reaches a point where it would be so much easier to give up on it, scrap the whole idea and give in to the siren call of a shiny new idea that promises that, No, really, I will be an easy book to write. Don’t do it! Don’t give up those characters of yours. They’re counting on you to tell their story. And you can do it–because you can do hard things.

Likewise, this is also invaluable when faced with that other inevitable aspect of book-wrangling: editing. Cutting. Killing your darlings. One of the most painful realizations you can come to as an author is that a piece of writing–a sentence, a scene, a whole series of chapters–is an absolutely brilliant piece of writing, something you’re just repulsively proud of . . . and yet it has no place in your story. It’s hard to be brave enough to scrap writing that you love. It’s hard even to scrap writing that you know deep down just isn’t working and face the terror of having to start afresh. But you can do hard things.

Isn’t that the most awesome writing mantra? Fiction writing is often tough, seemingly impossible tough. But if you love your characters, keep going. The only way out is through.

You can do hard things. You can do what you need to do to finish this story. And the next one. And the one after that. Anything in your life you really want.

No matter how hard it is.


Leave a comment

New romantic thriller mystery line launches

The fabulous Entangled Publishing are launching Dead Sexy, a new sexy romantic suspense line, on Friday.

I love Entangled. Not only have they contracted two of my lovely critique partners, Robyn Thomas and Jackie Ashenden to write for their Indulgence contemporary series, they sent me the nicest rejection letter ever!

They publish great stories, they have an amazingly successful business model, and best of all right now they are giving away a free ebook from one of their contemporary category lines to anyone who helps spread the word about the Dead Sexy launch!

If you like reading romance, give them a try.

And if you like writing romance, they really are a fabulous publisher to submit to. That’s where my revised novella will be going!


10 Comments

Controlling the Day Job monster

I left home at six thirty am yesterday. I didn’t get home until nearly ten pm. And this was supposed to be a short day at work. Today’s been challenging in a different way. My gut is knotted and my shoulders are so tight I can barely move them, though at least I got off on time.

It’s official, my Day Job is eating my life.

I’m well and truly ready for a change!

I reread a Kara Lennox course I took last year on Quitting the Day Job. I know it’s time. I’ve done everything I need to in preparation for this. I decided against the full quitting routine, instead, I’m halving my work hours and with them my income.

When the job is a smaller part of my life, it will feel very different. Yes, two days a week with the long commute is a big chunk of my time. The job will have me from six thirty am to eight thirty pm, twice a week. Twenty eight hours. But that will be enough to pay all the bills. No financial worries.

And I do get back some time in that. Two and a half hours of the commute will be time I can use while I’m on the train. And one and a half hours is time walking, so that’s good for me too, I don’t need to worry about exercise. Okay, it might not be how I’d choose to spend my time, but it is time I can benefit directly from, time I would need to use to do the same things, walking and emailing, if I was home. So that brings it down to twenty four hours a week.

It’s actually one seventh of my total time, to gain financial security. I can live with that!

What I need to make sure is that I don’t let the job eat into any more of my time. I’ll need to do on call and maybe work extra days now and then. That’s not what I mean. That will be a pain, but an unavoidable part of the job. That will also be the extra money that will pay for the luxuries. The holiday travel once a year to Australia.  A meal out for birthdays. Presents. I may even be able to save a bit.

 I need to make sure not to take the job home with me like I did today. To stop stressing about the job after work. To not let the job affect me in my own time. I need some little ritual where I literally leave it behind at the door.

Right now, even though theoretically I only work forty hours a week plus the commute,  making it up to fifty six hours a week, work actually takes up a far bigger chunk of my life. Not so much in time, though getting breakfasts and lunches ready and sorting out work clothes for the next day does take a chunk of time. The bigger impact is in other ways, the way it can chew me up mentally and emotionally even when I’m not there. Most of my weekend is spent just recovering from the week.

I need strategies to keep my job in it’s place- in the office between set hours!

Two things I can think of to help.

One, don’t carry a mental to-do list away with me. Write down the things I didn’t get done that need to roll over to the next work day. Everything, no matter how small. This need only take five or ten minutes right at the end of the day. I can do it as a ritual every evening when I put my out of office messages on. That’s the practical side of it.

The other big thing is to leave behind the emotional issues, so I’m not dragging worries, guilt, resentment, anger, or upset home with me. This may need something more . My to-do list can be public knowledge, but I definitely do not want my gripe sessions falling into the wrong hands!

Ideal would be to take ten minutes at the end of the day to journal anything that is affecting me. The journal needs to stay at work and be somewhere no-one else could read it.  Nuh-uh. Too risky. I could make some worry dolls or come up with something symbolic like that? A pot I imagine putting my worries in, that magically transmutes them? Writing them down on a sheet of paper and shredding them, right before I walk out the door?

I like that idea.

And if I do find I’ve accidentally taken work stress home, maybe I can journal it straight away, then let it go. I can use my commute home for that if I need to. By the time I get home and take off my work clothes, that’s it. I’ve completely shed anything to do with work.

Then it’s my time. Time to do more of what I want to do, and less of what I have to do.

What I want is for the day job to have the least possible impact on my life. I’ll give them one hundred percent when I’m there, but when I walk out the door I want to be one hundred percent free of it. The deal is- I get just enough money to support our household on, and they get just as much of my time as they’ve bought. 

Sounds good to me!

And I can start today. No need to wait for anything else to happen like dropping back to part time  hours. From today, I’m keeping as much of my time mine as I can. That’s not selfish. That’s being real. Who I am is not my job.

How do you juggle all those competing demands we have- work, family, and creative time?


Leave a comment

Just write it!


Photo by Allie Holzman

Today, I need to stop agonising over what to write, and just get something written on a story. I don’t care which one, as long as it’s a story!

I am so done with writing about writing, instead of just doing the writing.

I’m  making myself accountable. I’ll report back here on my progress today.

How about you? How do you kick-start your writing when so much else (including ourselves!) seems to get in the way?


3 Comments

Fear of beginning a big scary story- or fear of subbing?


Photo by verityatthedisco

I’m feeling stuck- conflicted about what I should write what’s best for me to write.

A few days ago I did a post on starting a new story, and committing to finishing it. I need that so much! I am a serial starter. New story ideas come to me easily, I get excited, do a bit of planning, start the story, and give up after a few chapters. Or i finish first draft and never edit it. Or I get as far as editing a partial enough to submit, get a rejection, and again the story languishes, because I’m off with the next exciting new story.

If I took the same approach to my love life, I’d have gone through about forty-something boyfriends in the last ten years, instead of being happily looking forward to our tenth wedding anniversary in Paris next April!

I’m running through my list of unfinished stories since I started writing fiction again in January 2008.

It’s worrying.

I haven’t properly completed a single story. Ever.

By “completed” I mean not just first drafted but edited and rewritten and made as good as I possibly could.

I thought I had with one, the novella I wrote last December, but I was wrong. All I really did was tidy up and gently tweak the first draft, when it needed some serious cutting and rewriting in parts. I saw that straight away when I re-read it a few months later. So much that was wrong with it became obvious. It’s a wonder I got such a kind rejection! “Let a story sit as long as you can before re-reading it” is my favourite advice for self-editing. I was totally blind to all that needed editing when I’d only just finished first drafting it, on a deadline and needing to submit fast.

That one hasn’t been finished yet. I saw I could take it two ways, rewrite as a longer story and go broader and deeper, or cut it in half for an even shorter novella. I started the longer rewrite, but stopped after two chapters, enticed away by a new story idea.

My story files are a clutter. I’ve got four other first drafts through to “The End”. One of those, I’ve edited the partial for submission, got a nice rejection, and started a complete rewrite. I’ve got another three or four stories around a third to half-way first drafted. There are more that are just two or three chapters that were abandoned. I’ve got a lot of first chapters, written for contests or just because I had a new story idea, that I didn’t take any further. Then there’s the big folder full of story ideas I haven’t started yet, just jotted a page or two on, but I don’t make myself feel any guilt about that.

It’s all the unfinished stories that I’m guilty about.

I publicly committed to completing the next story I start. I have to get in the habit of finishing what I start, if I want my writing to ever be more than a hobby. So I’m developing the story now. The problem is, it’s going to be huge. far bigger, both in word count and complexity, than anything I’ve ever written before. My guess is this story will take around a year just to first draft. Probably as much again to edit. It does scare me. It scares me silly.

But in a comment on that previous post Mike perceptively suggested I may be using the big story as a way of hiding from another fear.

If you fear rejection, then embarking on a brand new, multi-year writing project might not be the best thing to pursue at this time. A shorter, more quickly completed story will force you to tackle that submission fear of yours sooner rather than later.

Then you can send out the short work while writing the longer one.

Initially, my reaction was “No, course not” but now I’m wondering if maybe he is right. Am I using the big story as a way to avoid more rejection?

Possibly.

It’s interesting that when I looked at the editing last thing I subbed, the rejected novella, I chose to go for the longer rewritten version and not the shorter easier fix. Part of that was because I wanted to enter it into a first chapter contest, and the longer story is a better fit for the publisher’s submission guidelines. (In the end, I missed that deadline anyway.) Now I’m also considering if I didn’t want to do the shorter version out of fear of needing to sub again so soon.

I can see how the 22k novella could be a different, much stronger story as the 10k version. Doing that wouldn’t stop me still rewriting it as the longer 50k version if I wanted to, because so much needed changing for that it would be a complete rewrite anyway. I’m thinking, while I slowly develop the very big 100 k story idea, which will need a lot of prewriting planning, maybe I should do the 10k  rewrite of the rejected novella.

It was so clear on re-reading that the story could have ended around 10k. That’s when the emotional issues
actually resolved. The other 10k was a sex scene and a lot around resolving the external block.

Yes, I had it totally back to front!

In romance, the characters really do have to resolve the external issues BEFORE the internal emotional ones. That’s because the main story question is always ”How do these two very different people overcome all the blocks in the way of them committing to a truly loving relationship?” not “How do they solve the external problem?”

I do want to write this story. I think it could be good.

Now I’m feeling torn. I know I’m scared to start the big story. I’m afraid it’s way beyond my ability to write. I want to do it anyway. I don’t want to run away from this.  I also have this contradictory desire to be writing shorter stuff and subbing. But I don’t want to use editing the novella as an excuse, a cop-out, an escape from taking on the big  scary project.

I’m going to have a go at doing both. I’ll do the development work on the fantasy story, in parallel to editing the novella.

Wish me luck!

And tell me, how do you juggle working on two different writing projects at once?

Follow

Get every new post delivered to your Inbox.

Join 529 other followers