Finding home, finding love – writing romance, making clothes, growing food, and growing up

Adventures in living an authentic creative life


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On giving freely

Birthday present. Photo by the wonderfully talented h.koppdelaney via Flickr

It feels like I’ve been incredibly busy the last few weeks, yet when I try to point to what I’ve achieved, there isn’t much there.

I’m doing a lot of research into a line I’d never considered targeting before, and feel as if I’ve come home.

Harlequin’s Love Inspired and Love Inspired Historical.  The stories are wonderful -  happy, uplifting, optimistic, a celebration of pure love. They remind me of the stories I loved as a girl, like LM Montgomery.These are the kind of stories I want to write. This is writing that feeds my soul.

God is gently guiding me back to the faith I chose in my teens, and lost for a while, stuck in my anger that certain things I wanted badly didn’t happen for me.

Coming back feels so good, so sweet, so right.

So, there’s a pitch contest on eHarlequin in May, and I have a story to write. Lots to research. It’s a historical, set in a time and place I thought I already knew a fair bit about, colonial Sydney.  Except the first story in the series (my stories always want to be series!) is set on the convict ship sailing there. Oops! I know NOTHING about the day-to-day nitty gritty of life on thar four month voyage. Not enough about early Sydney, either, it turns out. So I’m researching and working on story development now, and will write the first draft in April (I’m doing Camp Nanowrimo- Autumn Mac there). it’s fun and I’m working hard but it feels like I have nothing to show for it, because where’s the word count? It will come!

I’ve been thinking  a lot about giving, about how I can give more, to my husband, my family, my communities, and eventually my readers. I used measure my giving, keep a tally. I gave them this much and they gave me that much back. I realised, that’s not true giving. That’s just a transaction.

Today, I read a wonderful blog post by Kimberly Brock on Writer Unboxed.

I read it. And I’m thinking about how I can give, and what I can give. And I’ll let God surprise me with what I’m blessed with in return. maybe just the glow of giving. Maybe an unexpected gift, like the one Kim describes.

But I won’t be keeping a tally any more.


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Finding the simple pleasures

It’s been a strange week.

while the first draft of another story sits, waiting till I have enough distance from writing it to see what needs fixing, I’m researching for my next story, a historical set in Australia’s colonial history. I’m amazed how much I don’t know about my own county’s history! I’ve read until I’m cross eyed, and it’s been worth it because I’ve had some good insights that I hope will help when it comes time to write.

Soon! I’ve missed writing story. I’ve done my morning pages and written notes for The Captain’s Courtship, but it’s not the same as actively creating, being deep inside my characters’ heads, seeing their world through their eyes. It’s so much harder for a historical because I need to understand a quite different world view and sense of one’s place in the world to put myself into these people’s minds.  I know this story will be a challenge to write, but I’m embracing that!

I’m also embracing many simple pleasures I’ve slowed down enough to appreciate, now I don’t have the mania of the Day Job running my life.

My “new” old bicycle

Universal folding shopper bicycle, in my garden, one of my simple pleasures at autumnmacarthur.com

A “universal” folding shopper, bought on eBay for £29. My husband says that was at least £19 too much, but I don’t care. This bike was new about the same time I got my first bike as a pre-teen!

I have lousy balance and I’m scared of heights, so I hate riding a regular sized bicycle. These have 20″ wheels, just like my first Dragstar. Whizzing into town along the bike path on this, wind in my hair, ringing my bell, makes me feel ten again.

I like feeling ten again!

Signs of Spring in my garden

A yellow crocus flower, violets, new strawberry leaves and daffodil shoots in my garden autumnmacarthur.com
Violet flowers, the first crocus, new strawberry leaves and daffodil shoots under the dead look sticks of the rose hedge tell me Spring is on its way. Yes, there’s still  cold weather to come, but the sap is rising! I never felt this same joy in Spring when I lived in Australia, it’s one of the gifts to me from the cold English climate.
cherry flower buds getting fatter in February- welcome signs of spring! autumnmacarthur.com

These strange lumps are loads of cherry flower buds on my lovely cherry tree, planted the year I married Arthur, and now huge! Every one of those buds will be a flower, and every one of those flowers can become a cherry. With luck and a better season than we had last year, when it was so cold and wet all May the bees hardly pollinated anything, I’ll be picking plenty of cherries come summer.

Making and drinking lots of water kefir

A refreshing glass of mango puree and water kefir, for a dairy free probiotic drink. From veganwaterkefir.co.uk

This is  amazing stuff, a dairy free probiotic drink that’s lightly fizzy and ever so slightly alcoholic. It gives me exactly the same lift as Diet Coke, but is all natural. That’s gotta be a good thing!

I like it on its own, but it’s even better mixed with fresh fruit juice or purée. I’ve tried lemon, lime, strawberry, raspberry, peach, grape, and mango. That’s mango in the picture, but I think my favourite is raspberry/ peach.

I love this so much I’ve started selling the starter cultures at http://veganwaterkefir.co.uk

 

What simple pleasures are you enjoying now?

 


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If your dreams don’t scare you…

If your dreams don't scare you they aren't big enough
Image by Fit Fab Cities via Victoria Blisse

If your dreams don’t scare you, they’re not big enough.

That’s what I need to hear today.

I’m scared.

When I gently suggested to my Muse in my Morning Pages that maybe it was time to up the daily story word count target from 2000 words to 3000 words, she ran and hid and won’t come out.  That idea frightened her silly. Hopefully I can coax her out so we at least get the 2000 today.

But big dreams are scary.

Getting published and putting my writing out there is scary. Opening myself up to being judged is scary. Getting rejected again is scary. Getting bad reviews is scary. Letting people open a door into my mind and see what’s inside is scary.

The fear is the price I have to pay if I want to write full time.

I need to gently push myself. I need to trust that I’ll be supported. I’m doing what I feel guided to do, so the support will be there.

I need to be scared by those terrifyingly big dreams. If I’m not scared, I’m settling for less than I could achieve.

Then I need to do the work.


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On Taking the Risk of Revealing Myself

Cat asleep in a household shrine

It takes guts to let other people see your deepest fears, to know the things you love, and realize who you really are. Not everything found in the heart is pretty, but inspiration is not always found in perfection. Sometimes it is the broken pieces that people will connect with the most.
- Musings by Jennifer Blair, Artful Blogging Autumn 2012

This is something I’m struggling with, yet again.

I leave the Day Job very soon. I’m excited about that. I’m also terrified, and looking for safety nets. I don’t want to think about having to financially depend on what I can earn from my writing.

There are safety nets, of course. I have money in the bank. I applied for a side job, an easy no-brainer Saturday job that would let me write while at work.  I can reapply for my old job if I need to, the person I’ve been job sharing with will be leaving in a year or so.  There’s no guarantee I’ll get it, but I’d have a good chance. I use that thought to comfort and ease my fear, my anxiety about truly being a full time writer.

I’m not sure having that safety net is a good thing though. It might just make it too safe. I might coast, thinking I have a year off to play at writing, rather than that I have just one year or so to make or break as a writer so I need to work bloody hard. I might feel so safe and complacent that I’ll end up right back where I am now in eighteen months. So there’s a little voice in my head telling me I’m just wasting my time and my money. All I will have gained is the sure knowledge I couldn’t do it.

It feels like I’m setting myself up for failure, applying for that Saturday job, thinking I can get the twenty hours a week at the Day Job back. Of course, it’s also a way of reassuring the inner critical parent and external real world parents like the mother-in-law.  It’s a good story to reassure anxious onlookers, but the reality is that I do have to make a go of this. I just have to. I’m not letting this dream go.

I kinda hope I don’t get that side job. I don’t need safety nets. I just need to write. I am my own side job and my own safety net.

I need to write, and ship (to use a Steve Jobs-ism), not look for safety nets. Real artists ship. Dilettantes can create, but they never ship. Or they ship infrequently, half heartedly, they ship with the preconditions for failure built in like shipping incomplete, rushed, less-than-their-best work.

Oh my, do I know that one. I am the queen of submitting waaaaay too soon.

Or even more so, of jumping from idea to idea to idea. The lure of new stories, far better than the old story. The dropping one project before it’s completed because the next idea is so exciting, repeated repeated repeated. It’s all resistance, a way of avoiding truly finishing a piece of writing and putting it out there, out to be seen and judged.

My exciting new idea this time is a historical. I’m massively enthusiastic about it. It will be a huge, ambitious book, needing loads of research to get right. I am a little concerned that the amount of research needed is a strategy to avoid actually writing a story.

Because if I write, I have to ship; and if I ship, I have to put it out  there to be seen; and if it’s seen, everyone will also see how bad I write ; and if everyone sees how bad I write I’ll have no credibility and get laughed at and get one star reviews and I’ll never sell a book again and I’ll have to go back to working as a nurse or I’ll have to live on weeds because we won’t be able to afford anything else and my mother-in-law will say I told you so and I’ll be too embarrassed to ever go on a writing forum again and then I’ll die.

The list seems fairly comprehensive. That’s what my mind truly thinks will happen if I actually self-publish. No wonder I’m never able to properly finish anything!

I need to be okay with uncertainty, not knowing. I need to be willing to risk that self-disclosure, to let myself be seen. I need to be zen, like my cats, being what I am, untroubled by questions. What I am is a writer. Like the quote says, I’m imperfect. Not pretty, complete with broken pieces, but maybe that’s something readers will connect with.

It’s time to take that risk.


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Opening the doors to creativity

Locked silver doors of a bank on London's Oxford Street Autumn Macarthur

Were you fed the same myths about creative talent I was, that you either had it or you didn’t have it?

If you had it, creating would come easily and naturally, and if you didn’t have it, well sorry, you’re locked outside, on the wrong side of those magic doors only the talented could pass through.

As kids, we could try something creative once, but if we didn’t get it right first time, then clearly we had no talent and shouldn’t try again. No point wasting money and materials on someone who couldn’t be any good at it. I’m sure my parents meant well, wanted to save us pain and grief trying and failing, trying and failing, bashing our head on that locked door repeatedly.

But they were wrong. Natural talent is only part of the equation.

Parents and teachers put labels on us early. Maybe you were labelled, too. I was the brainy one, the one who was good at reading and writing. My sister was the pretty one, the creative one,  good at drawing and painting. She was encouraged to practice, keep trying, keep creating. I wasn’t.

Now, being the good little girl I was, I listened, obeyed, and  internalised that totally by my late teens. If I wasn’t good at something straight away, if my first attempts weren’t just like the vision I had of what I wanted to create, the only thing to do was give up and stop trying.

I followed those rules for such a long time.

Great story idea, but the first chapter just wasn’t working- give up. Image in my head of a painting I wanted to make, but what I created was nothing like it- give up. Anything at all creative I wanted to do but couldn’t master straight away- give up.

In the end, I learned to stick to my books and hard subjects like maths, where I knew I could do well. I didn’t paint, didn’t draw, didn’t sew, gave up on my stories for a long time too. I stuck to what I was good at. I didn’t risk failure.

Now I’m trying to learn again, find out how to open that magic door, learn to be creative.

To do that means allowing myself to fail. Allowing myself to make mistakes. allowing myself to play. Practicing.

My sister truly is a wonderful artist. She has a natural talent for art. Her drawings looked like what they were supposed to. Her paintings were full of light and colour, while mine somehow were always muddy and dull. We both went to pottery classes in our teens, her first pot was good, mine was wonky and lopsided.

More evidence I shouldn’t try. I was outside the door. I should leave the creative stuff for those who had talent. I obviously didn’t.

But what if natural talent, the sort easily recognised by parents and teachers,  wasn’t all that counted? What if I’ve had creative talent all along but just haven’t used it?

Yes, my sister is talented. Very talented. She’s also spent thousand and thousands of hours practicing, painting, drawing, learning. She’s worked and practiced hard to develop her talent. I’m sure along the way she made plenty of mistakes too. Canvases that got painted over. Drawings she tore up or erased.

The only difference was her belief she had some talent kept her going, while my belief I have no talent made me give up.

The ten thousand hour rule is right. You need to love something enough to put in all those hours, and talent helps, but even for the relatively untalented person, that many hours practice must produce some level of mastery.

What if we could all do anything we wanted to, regardless of whether we’re talented or not?

I was dyspraxic, a clumsy kid, so I couldn’t draw well early, I didn’t have the fine motor control for it.  But I can have a go at it now. It’s a matter of practice. It’s a matter of tolerating “mistakes”. It’s about accepting that I’m learning, and it’s okay not to do it right first time, second time, or even the eighth ninth and tenth times!

That’s the real “secret” of books like Drawing on the Right Side of the Brain, or Writing Down the Bones. It’s giving permission to try and to make mistakes and to practice practice practice. So many of us have been so indoctrinated into thinking if we don’t do it right first time we have no ability and should give up.

We need to switch that thinking around now. I definitely do.

The more I try things, the more I’ll discover what I enjoy and what I want to do. Yes, I’ll be bad at first and make lots of mistakes, but if I keep trying, I’ll get better at it.  It’s not fun to try, and fail. But what if it wasn’t a failure, what if it was  a learning experience on the path to master?

From today, I intend to have a go at whatever creative activity I feel like trying. It doesn’t need to cost much to experiment. There’s so much free information and tutorials online. I can buy paints and pencils and  sketch pads at the Pound Shop to play with drawing and painting. I can buy cheap clothes and fabric at the charity shops to play around with clothing designs, where the cost of new fabric might put me off being adventurous. I want to learn to knit again, but yarn is expensive, so I’m experimenting with rag yarn.

We don’t need to wait outside those magic doors, longing for permission. There aren’t any secret passwords or funny handshakes to get us in. We just need to give ourselves permission to play. Those door will swing wide open for us.

What creative activity have you always wanted to do but allowed cost or “lack of talent”  or belief you just can’t do it to put you off trying, or make you give up too soon?

How can you allow yourself to do that thing today?


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Learning to live in the now

Frost crystals on twigs in my garden- Autumn Macarthur

I woke to a world coated with ice crystals, crunching underfoot and glittering in the weak early morning sunlight. I don’t do cold well (I’m a Sydney girl, the British weather kills me!), but mornings like this it’s worth the three layers of thermal underwear under my jeans and jumper and the three pairs of socks inside my pretend Uggs.

I want to appreciate all that’s good about the UK while I’m still living here, try to experience some of the magical England I dreamed of back in Australia. Turns out, it’s harder to find than I thought. So easy to get caught up in work and socialising, and much of Britain is ugly suburbs and motorways. The magic places are still there, but you need to search them out, and I haven’t given myself the gift of time to do that. Too busy rushing from one thing to the next, focused on simply surviving and making money.

Now I’m quitting the Day Job, I want different priorities. Yes, I still need to earn money. Yes, I’ll probably have to work way harder than I am now to earn half as much (that’s how it was last time I worked for myself, running an internet used and rare bookshop).  I’m okay with that. What I won’t have to do is live my life to someone else’s timetable, run to catch the train and catch the bus and walk to the office on time to spend all day running to keep up with tasks someone else decided they wanted from me. I’ll have to work hard, but I’ll be in control.

What I don’t want though is to make my new work, writing, as much a drudgery as my Day Job. I need to make sure I allow time for enjoying life. I need to make sure I appreciate the simple pleasures of my life.

I’ve lived most of my adult life on the “I’ll be happy when..” principle. I’ll be happy when I have my own house. I’ll be happy when someone loves me. I’ll be happy when I have a child. I’ll be happy when I’m in England (when I was in Australia). I’ll be happy when I can live in Australia again (not I’m in England!). I’ll be happy when I give up the Day Job and write.

Recognise a pattern there?

None of those goals are bad ones, but I won’t magically become happy then if I can’t find happiness now. Yes, my job is a PITA. Yes, it’s exhausting. Yes, it’s an energy drain and brain fryer of the highest order. It sucks in almost every way except for the pay packet. But the fact remains-  if I can’t be happy now, I won’t be happy then.

So, this morning, a rare and precious day off in the week, instead of whingeing about the cold, I got up and dressed and went outside. Walked around the garden, marvelled at the ice, took photos.

I do want to be a fully time writer. I do want to live back in Australia one day. I have strong ideas what I want my life to be,  the sort of place I want to live.  I don’t have that now.

But what I have is still good. For now, I go to the Day Job, for seven more weeks. I write when I can. I live frugally but well. I take joy in all I have, in the frosty mornings and a warm bed to come back to and the crazy cats and a good man and my little writing shed. What’s meant for me will come to me, or I’ll come to it, all in time.

In the meanwhile, I’m here, living my life.

Having long term goals and working towards them is a great thing, and necessary if we’re not to just drift through life (not sure that’s a bad thing, sometimes, too!), as long as we don’t let not being there yet  suck the joy out of the present moment. It’s easy to get so focused on what we want for the future we miss the small delights of life  right now.

I want to find the simple joys in my life. I want to make the most of these last weeks at work, appreciate the gift of travelling into London each day, working with the people I work with. Once I’m done with the Day Job, I  need to remember not to get too focused on making writing another job. Work-life balance is such a cliche, but so important.

I want to love writing again. I want to love my little house and garden. I want to love my husband and play with him like I used to, before I got so tired and so serious. And I want to make the most of being in the UK. See those places I want to see, experience the England I dreamed of back in Australia.  Take time to sit and truly experience somewhere, not just tick the box and move on. There are special places very close to me I’ve never seen, only whizzed past the signpost in the car, on the way to somewhere else.

It’s time now to take the detour. Take the scenic route. Take the time to experience what is wonderful in life. This is a chance to live life to the full. Every moment is a new opportunity to experience living in the now, not in dreams and hopes of a different future.

I’ve never let myself do that before. It’s time to learn how.


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One simple way to be happier and more productive

Paraglider over the ocean at Mona Vale in Sydney's Northern beaches

In Sydney a couple of weeks ago, we went up to the headland to watch the paragliders.  Awesome. The thing that amazes me is how they take off. They let the wind fill their parachute, then literally step off the headland into the air. Terrifying yet exhilarating.

That’s just watching them. I can’t imagine how it feels to actually do it, to step off into nothing and have that trust and confidence that the air will hold you up.

Trust has been an issue for me this week. I’m quitting the Day Job in just nine weeks. In one way the idea is exhilarating. finally time for myself, time to write, time to sew, time to develop some ideas I’ve had for a while about home based ways of creating income. Terrifying, because we won’t have any household income unless I can get books published and sold, get those ideas up and running.

That fear made me start trying to push myself. Despite being jetlagged, and the added exhaustion from long busy days at the Day Job, I lectured myself about the need to do more. I have all these goals, and I needed do more more more if I was to achieve them. I was lazy, I needed to work harder or I’d fail, I told myself.

Problem is, that sort of fear based badgering never works. Not for me, and I doubt it does for anybody.

All it did was add to my stress and anxiety, made me less able to do anything productive, and took the joy out of anticipating Freedom Day, the day I set myself free to work at what I want to work at, not what my bosses throw at me.

When that day comes of course, I’ll end up working far harder than I ever did at the regular job. I was self-employed once before, for two lovely years after the seventh miscarriage, when I just couldn’t face looking after other people any more and sold books on the internet instead. I worked far longer hours, probably sixty hours most weeks, making less than the minimum wage, but I didn’t care. I did it more joyfully, because I was choosing what I did, and I loved the work. Laziness isn’t my problem.

On Wednesday I realised I needed a different approach, and something wonderful happened.

Instead of constantly telling myself I needed to do more, instead of making lists of what I should be doing, I took time in my Morning Pages to list what I did towards my goals the day before. Despite the crappy stress of the hamster wheel Day Job, despite the long commute, despite the exhaustion and the head cold, what baby steps had I made that day? I didn’t have to do anything, but what I did do would be recognised and acknowledged and celebrated.

Amazingly, not only did I find I’d done more than I thought, that simple act of appreciation of my tiny achievements somehow freed me to do even more over the past few days. The fear of failing lifted, and in its place came a sense of lightness,  fun and a burst of creative thinking. I felt better, and I was doing better.

I wrote snippets of story on the commute, far better than what I’d written before. I had breakthroughs with plot and character niggles, things I knew weren’t right in the first draft. I had completely new ideas for the clothing business I plan to start, and began thinking bigger too. The fear I wasn’t doing enough shrank my world, felt heavy and oppressive, but my little bullet point lists of what I achieved the day before moved me into expansiveness and a huge sense of possibility.

Appreciation of myself, not nagging myself.

I think I now understand more of how the idea of goallessness works. It’s not that there’s really no goals at all, it’s that the goals are approached in a different way. There’s a kind of zen in it. Things get done effortlessly, without pushing.

I hope I can keep going like this. It’s very freeing and light. My muse likes it. She does NOT respond well to being nagged and badgered and told what she “should” be doing. She does respond to freedom, to bein g told she doesn’t need to do anything, but being recognised and rewarded when she does.

The easy simple act of writing down what I’ve done the day before, rather than setting goals and to-do lists for the day ahead like I usually do, seems to have created a huge shift.

It’s working for me. It might work for you too I’d be very interested to hear what happens if you try it!


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If you are feeling stuck and miserable as an artist or writer or in any creative work

Keri Smith's poster- How to Feel Miserable as an Artist
Image created by Keri Smith

I’ve been away from the blog, away from my own creative self too long. Flailing around, not knowing what to do next, overwhelmed by all the options, all the unfinished stories, and stressed mindless by the Day Job.

I’m just back from two weeks in Australia, visiting family (not easy, as my aging parents have retreated into their own little world where visits feel like intrusions, but satisfying the need in me to stay connected), camping out at a lovely beachside site, and recharging my spirit. I don’t want to lose that now I’m back in the Real World.

I’m not sure now what my real world is. The Day Job ends in ten weeks. For that ten weeks, my life still revolves around it’s demands, but after that, I’m free. Free to create, free to set my own agenda, free to do what I want.

Totally, terrifyingly free.

I’ve never given myself that sort of freedom before, and the prospect of it is both exhilarating and scaring me spitless. Like a mountain climb, like a skydive, like the scariest ride at the adventure park. I’m trying to focus on the positives of it, all the options not having a job open up for me, all that glorious time to create, but it’s important I acknowledge the fear too.

The fear of failing. So many ways to fail. The fear of not having the excuse of the Day Job any more, that time and mind suck, yet still failing to create. The fear of putting my stuff out there and it being ridiculed, or maybe worse, simply ignored. The fear of making this big bold statement, I am an artist, I am a writer, and not doing it. The fear of not making any money, of having to go back to being sensible and having a “Real Job”.

Because I won’t really be free. I have enough money to play with to live frugally for about six months before I start getting twitched about finances. And I’m not creating at all now. Not at all. I do my Morning pages daily, I sew something now and then, I play with ideas, I’ve made a few new recipes, but I’m not doing the work I want to be doing.

I’m feeling paralysed by options. Too many ideas. Too much I want to be doing. I can’t decide what to do. I want to write wild, not safe. But safety lures me. I feel unsafe. I dreamed last night that my husband and I were on a plane on fire. We knew the plane was on fire, but we just sat there, chatting to other people. Meanwhile, my Muse sped off in a hotted up ute with flames spewing from the tail, the flames that started the fire.

No idea what that means, just that it’s relevant.

I found the wise and fabulous Keri Smith’s blog today. How to Feel Miserable as an Artist is from her Artist’s Survival Kit. There are other wonderful things there! I liked the Create Your Own Award card, and especially the Permission to Make Mistakes card. Take a look.

My problem, the thing that’s paralysing me and stopping me from creating, is my expectations. All those “shoulds” of mine. I should be writing. Not only should I be writing, I should be writing 10,000 words a week. Okay, I’m not quite crazy enough to expect that of myself now, that’s for when I quit the Day Job, and  should be totally achievable (though that “should” in there is worrying).  I should be blogging more, and doing social media. I should be sewing, working on prototypes for the line of lagenlook clothing I want to sell someday. And not only should I be doing it, I should be doing it perfectly. I should have an ebook ready to release before I finish the Day Job. I should start making money straight away. I should do it all by myself and right first time.

No wonder I feel stuck, unable to choose what to work on, like I just need to sit in a corner and rock and chant quietly to myself!

Here’s Keri’s Permission to Make Mistakes card. I’m printing it out and filling it in now. If you’re feeling stuck and overwhelmed in your creative life, maybe you could give yourself permission to make mistakes too?

Permission to Make Mistakes card, from Keri Smith's Artist's Survival Kit.


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Simplifying my life

River gums beside the Lachlan River at Forbes, NSW, Australia

Quitting the Day Job to write has opened up a whole lot of other issues.

I know I’ve made the right decision in resigning. This feels right. This makes my inner child happy, while also satisfying my inner parent. Yay adult me for finding the right compromise!

But my life needs to change, in big and small ways.

I need to get writing and to get in as strong a position as I can financially. I’m embracing the possibility of working extra hours while I am still at the Day Job, to top up the bank balance ready for the time I have no income. We need to live as simply and frugally as possible. This week, I already sold my car and the spare mobile phone. I’ll be selling more stuff on eBay. I also gave twelve bags of clothing and bits and pieces to charity.

A big change to make is curbing my spending. I don’t think I’m extravagant, but I still spend way more than I need to. I’ll go back to the spending diet, keeping track of everything I spend and limiting my Material Girl to £10 a week.

Now, when the shopping urge hits, I have two choices- spend a small amount from my ten pounds a week, or “shop” my remake bags or fabric stash and create something new. I have enough fabric and fifty p items there to last ages, honestly. When I want to buy junk food or drink, I just don’t!  Instead, I need to ask what it is that my inner child is really looking for. Comfort. Love. Release from stress. Even the thirty nine pence for two liter bottle of supermarket own brand diet cola musn’t be a regular purchase.

I’m getting better at letting go of stuff.  I need to develop this mindset- hold on to what is worth holding, let go of what isn’t. So I hold on to my writing and my relationship with my husband, I let go of my job and any things that don’t add value to my life.

I get focus back on what is important. My home and garden. My health. My marriage and other relationships. My creativity. My writing.

The things that matter to me.

I shouldn’t have anything I don’t truly love or use in my life. No more hanging on to stuff for the sake of hanging on to it. I can let go, easily. I can have just what is needed. I can live joyfully and simply. It will be better.  It will help me be more focused and centred. I’ve been scattered.  Way too scattered. My energy has being pulled in a million different directions. That’s already starting to change.

Things that are important-

  • Writing
  • Creativity
  • My husband
  • My family
  • The mother-in-law and supporting her- the reason we are still in this country
  • My home
  • My garden
  • Eating well
  • Staying healthy
  • Financial security
  • Hopes for the future
  • Going to Australia at least once a year
  • Taking care of our animals
  • Spiritual connection



That’s probably about it!

So that’s an easy list. And I don’t see having a Day Job anywhere there, except as a route to financial security. And I never wanted financial security for it’s own sake. It ties in to my hopes for the future, with wanting to eventually move back to Australia.

Oddly enough, the desire for a house in Australia right now, not when we actually move there but NOW, this minute, even better yesterday, has subsided. The solution came from a surprising source.

Instead of hiring an expensive and never-quite-right-for-us campervan this holiday, as we have for the past few years (less emotional wear-and-tear all round if we don’t stay with my parents) I bought a tent instead. Cheap because it’s coming into colder weather now, and more comfortable and roomy than the van. It can be left at my parent’s place and reused every time we go to Australia.

Simply having a tent and a few other bits and pieces left behind satisfies my urge to have something there, a foot hold in Australia. I thought it needed to be a house or at least a block of land. Then when that didn’t happen I thought a campervan, that I could leave at my sister’s place. But this will do it just as well. A tent. Under two hundred pounds worth of camping gear. No further outlay required, unlike a house or a van.

It’s enough.

A lovely lesson in finding what enough is. It’s often smaller and simpler than we think.

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