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Adventures in living an authentic creative life


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Persevering through rejections- guest post from the fabulous Robyn Thomas

I’ve been a slack blogger.

I can make all sorts of excuses about being busy, and they’d even be true, but the deeper truth is,  I’ve been low.  I blog more when I feel good, full of energy, when things are going right in my life. when I’m feeling bleah, just getting through what I have to feels like a hard enough slog, without adding pressure to blog too! Part post-rejection-downer. Part frustration with how expensive and slow the writing shed transformation has – it’s stopped being fun and become hard slog- especially now I’ve added a deadline for completion to the mix. Part dealing with sick cat/ MiL 45 minutes drive away with health issues/ Dad 10,000 miles away with health issues. Part resentment at having to lose (hopefully only temporarily) my lovely part-time Day Job situation so soon after I experienced how wonderful it is, because they haven’t been able to replace a colleague at work who leaves next week.

Anyway, all that’s another blog post. Today’s post is by my amazing critique partner and debut Entangled author, Robyn Thomas. We can learn so much about perseverance, never giving up, and dealing with rejection from her example. Robyn is not only a wonderful person, she writes wonderfully, and has a very different writing process to mine. She’s one of those perfectionist writers who works hard at getting it right first time. She won’t move on until she’s happy with what she has, so she produces beautifully polished first draft. I loved her first published story, His Unexpected Family, when I read it in its original version. I know just how much time and effort it. That story was worth publishing, I thought, as it was. I couldn’t see how it could be better. Yet to read the final published version, I’m blown away. It’s awesome. Somehow, she made an already beautiful story even better, by sticking with it through rejections and three and a half rounds of edits.

When I feel like giving up, I think of her. How hard she works. How she writes in fragments of time snatched from her busy family life. And how worth it the results are.

So it’s over to Robyn-

Thanks so much to my dear Sassy Sister, Autumn, for inviting me here today to talk about rejections and perseverance.

I’m a huge believer in getting back on the horse after you’ve been thrown off, but there are times when it’s beneficial to stop and think before you leap back into action. Very few people have a smooth journey to publication, and most writers will be faced with one rejection after another at some point. The thing to remember is that it’s normal, and no matter how overwhelming it seems, other writers WILL understand. They’ll offer advice and support, and do what they can to help you find your feet again, but the big decision – quit or continue – is yours alone.

The possibility of giving up altogether usually looks good in the initial phase of a rejection. It’s easy, doable, and will get you off the rollercoaster. But it will also cost you your dream. To paraphrase a line from Matt Damon’s character in The Adjustment Bureau: “It’s not whether or not you get knocked down; it’s what you do when you get back up.”

Deciding to stick with writing and try again is the difficult choice because it means you’ll be vulnerable to more rejections in the future. Don’t dwell on it, but do what you can to minimise the risks. Try to see not just where you went wrong, but also what you got right. In my opinion it’s just as important to build on your strengths as it is to remedy your weaknesses.

Looking back at my own journey to publication, I can see that I made some awful (purely emotional) decisions after rejections. At one time or another I tried almost everything you could think of to put rejections into perspective, to learn from them, ignore them or embrace them. I went from taking every word to heart, to taking the liberty of rejecting-the-rejection (in spirit only.) I stuffed things in the bottom drawer, mortified that I ever thought they had merit, and I sent others straight back out to another publisher without changing a word. I rewrote projects from scratch in the hope of bringing them back from the dead, and I moved on to shiny new projects instead. I built myself up, cut myself down, believed, doubted, and struggled to find a workable balance between carrying on immediately and pausing long enough to take stock and avoid repeating my mistakes.

Writing is tough sometimes and rewarding other times, but if you love what you do then you’ll find a way to reconcile the ups and downs. If you don’t give up, and if you’re willing to learn, you’ll prevail against rejections. I know this for sure because I’ve tested the theory. ;-) I’m happy to report that I now have three books contracted with Entangled.

Do you have any tricks to help you through rejections? I like to start with as many of the following at once as I can possibly manage: a bubble bath, fragrant candles, chocolate, sappy music, a cream cake, a favourite movie on DVD, and a glass of wine. That combo inevitably leads to an early night, and things generally appear brighter the next day.

Sometimes you have to take the leap…again.

Newly widowed with a new baby, Ren Jamieson is putting her life back together after her thrill-seeking husband’s death. But when she’s called to show a high-end property to a prospective client—a commission she desperately needs—she meets a man who makes her pulse pound like nothing she’s ever known…

Cole Matthews is more than he seems. Real estate is only part of the reason he’s in Australia –  the other is to see Ren, and make amends somehow for the life lost. The last thing Cole expects is a woman whose humor, sweetness and sexiness give him a rush greater than any he’s ever experienced…

Torn between her growing feelings for Cole and the risks of loving yet another adventurer, Ren will have to choose between keeping her feet on the ground…and taking the most dangerous leap of her life.

Read the first chapter free: http://www.entangledpublishing.com/his-unexpected-family/

Buy links: http://www.barnesandnoble.com/w/his-unexpected-family-robyn-thomas/1112199079

http://www.amazon.com/His-Unexpected-Family-ebook/dp/B008NXI3H8

Robyn’s Bio:

Robyn believes that romance and fairytales are the best ingredients to work with because they go with absolutely everything. Inspiration is everywhere she looks. She remembers making the decision to write her first book, but since then writing has become more of a compulsion than a choice. It’s less about having complete silence, a gorgeous work space, a free hour or two, and a steaming hot coffee, and more about getting her fingers to the keyboard any chance she gets. The coffee does help, though.

She lives in Melbourne with her wonderful husband and two sons. Writing romance helps to balance the effects of living in an all-male household. She loves to cook, hates to clean up, and keeps very odd hours. Her writing days used to be solitary, but they’re not anymore. Now she has Seven Sassy Sisters online, and their friendship and support is invaluable.

Contact Robyn:

http://www.robynthomasromance.com/

@robynsromance

http://www.facebook.com/#!/robyn.thomas.376


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A starting point- with my writing room and with the story

Planning is hard work!

It’s been a busy weekend. I’ve planned the work I need to do to transform a small garden shed into a writing room, and I’ve done more planning for my new story, a Christmas themed romantic novella.

I almost have my full shopping list of what I need to buy to fix the shed, I just need to do the sums to work out how much of the timber I need to buy. Insulation, tongue and groove spruce cladding boards to paint a light sunny cream, trim for the edges, perpex to reglaze and double glaze the windows. A big sheet of white coated mdf or similar for the desk, stretching wall to wall, then white bookshelves down either side right up to the door. Touches of bright lime green  and turquoise in the accessories. Cork tiles to use as a pinboard between the desk and a high bookshelf.

I can see how it will look finished. I just hope my skills are up to the job of transforming it!

I’ve decided to leave starting work on this until July. Two reasons- I won’t start the part-time job until mid-July, and I started the new novella with a deadline of July 10. Meeting the deadline will be tough enough without taking more time off from it to work on the shed.

And I’ve just realised tonight while doing the homework for the writing course I’m doing, Holly Lisle’s How to Think Sideways, what it is that’s been niggling me about the story over the past two days. I’m doing lesson 4, Good to Great. I knew I had a good idea, yet I couldn’t get it to work in a way that felt right to me.

In the past week, since I read the Entangled Call for Submissions, I’ve written nearly 6000 words of notes. I’ve almost completely filled in a Beat Sheet (word counts tweaked for a short novella length) and GMC charts for each character (fabulous ones, I’ll post them here as soon as I get time).  I wrote the first 1500 words of the story. But I knew I didn’t have it quite right. My instinct was telling me the story was somehow off, like a wobbly unbalanced wheel, but I couldn’t figure out why or where.

I thought the problem was that I didn’t have a good enough handle on the ending. It was too dependent on outside factors, and not driven enough by decisions the characters make, the emotional growth that’s needed so they can have their happy ever after. I asked before I went to bed for the answer to be in my mind when I woke up. I slept badly, my mind was too active on a million and one things that had nothing to do with the story. I woke up and started morning pages and didn’t have a clue about what the story needed. My mind seemed a total blank.

I asked again anyway. And out it came. the perfect ending to the story. Even five or six hundred words of actual story. Fast and effortless and exactly what the story needed. Amazing. I love it when that happens.

But something still nagged at me, felt off. Not the ending, something else.

Tonight I figured it out. I completely misunderstood my heroine and her motivation and what Christmas meant to her and what that song meant to her (the brief is to write a short romantic novella based on the song Santa Baby). I didn’t have the hero right, either. I have to scrap my first idea of who she is and who he is, and almost do a 180 on it, but it’s right. It makes sense of the story. It fits the ending and the middle I see.

So strange how that happens, but I know it’s right. The story developed way past my initial very literal conception of her character and how she related to the song, but I clung on to it anyway and tried to shoehorn it into the story it didn’t fit any more. 

Now all the pieces click together, with that lovely satisfying clunk, I can really start to write. I have the feeling this story could be less of a challenge than turning the interior below into a cosy all year round writing space!


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Keeping on writing, gifted or not!

Photo by Le Petit Poulailler

Ever read a blog post that makes you instantly want to unsubscribe from the writer’s blog?

I reacted like that to something I read this week.

It was in Jeff Goins‘s email newsletter, a piece on the two essential ingredients for success. I don’t think it’s on his actual blog, or I’d link to it.

The piece started off great, all about passion and practice being the only things one needed to be a success. I can agree totally with that.

Then he lost me. Because he slipped in a third thing- giftedness.  

Now this irks me, because a damaging belief in talent and giftedness (or not) stopped me doing a number of things I really would have liked to persevere in until I developed some skill. My father used to say when any of us kids tried something new that if we had a gift for whatever it was, it would come easily.

Now, that probably is true, but it’s not enough reason to go on to his logical next step to discourage us- if it doesn’t come easy, by definition you don’t have talent so you should give up.

That, I no longer believe to be true. Honestly, if it was, most of us wouldn’t be walking or reading or able to drive a car. 99.9% of us would have to give up everything at the first attempt.

But when I was younger that false belief made me give up on a lot of things I maybe would never have been perfect at but I could have had fun with. Playing a musical instrument. Painting.  Throwing pots. It stopped me writing for years.

It’s a deeply damaging and unhelpful belief.

 A better belief could be – if it’s something you want to do, something you love to do, don’t worry if it doesn’t come easy, keep practicing and see how good you can get. Being immediately good may not be a predictor of long term success at something anyway. too many highly talented individuals burn out young anyway. The hare had the talent for running, but the tortoise won the race.

The main catch I see in this concept  of giftedness is- how do we know if we have this mysterious “gift” or not? Do we have to wait for someone else to tell us? Is it something we should just know? Is it that if something is hard work, we aren’t naturally gifted? Tell that to musicians who practice eight hours a day!

I feel uncomfortable with the whole concept of labelling some people as gifted and others as ungifted. It discourages those labelled ungifted, and puts a heavy burden of expectation on those labelled gifted. Or the “gifted” become complacent, stop trying to better what they do, just like the hare in the fable.

Maybe we never give up on the things that are our true love. I’ve come back to writing.

But I look at my friends whose writing is way better than mine, published or unpublished, and I wonder. Are they actually naturally more talented, or were they just encouraged more, did they somehow have the belief in themselves that kept them going? It would be easy to look at the rejections I’ve accumulated in the four years since I came back to writing and deduce that I have no talent and should give up.

“Do I have a talent for this?”  and “Am I any good at this?” are the wrong questions to ask ourselves.

Do I want it? Do I love it? Does doing this somehow fulfil me in a way nothing else does? Have I improved since I first started this? Those are the questions to ask when we feel discouraged, feel like giving up.

And hopefully, the answers will be Yes, and Yes, and Yes, and Yes.


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“Love your art and your art will love you back”

Holstee Manifesto

Okay, I know I’m slow, I only just discovered the Holstee Manifesto! But I’m in need of some positive inspiration today, so here it is.

It’s been a crazy and stressful week, with more emotional ups and downs than the Tower of Terror.

I knew it would be a bad week at the Day Job, as the other nurses were both off at a conference and I was in effect doing two jobs all week.  Monday didn’t disappoint. Crazy busy, no lunch, ridiculously late off, the expected chaos. Still managed my morning pages – 61st day of my current streak on 750words. Still managed to do my at least twice daily touch typing practice- painfully slow but improving. Still managed to write a few pages of the Wrong Bed story on the train- I’m only plodding along, also painfully slowly, but having fun with it. I’m letting myself be as outrageous as I want with that one! So overall, the day could be ticked off as a success.

Tuesday, started the same.

Then the week unravelled.  A phone call from my sister- an ambulance rushed Mum to hospital early the day before after she collapsed with a dangerously slow heart beat, and worse, Dad, who’s been steadily getting more sweetly muddled but normally copes fine, hadn’t been taking care of himself without her there, forgot she was in hospital, and was out frantically looking for her. Worse, he firmly believed a whole convoluted and completely untrue story he’d told himself for why Mum wasn’t home. My brother found him, gave  him a meal and took him home. My sister planned to drive down from where she lives three hours away to stay with him, and I was on the other side of the planet.

My immediate urge was to jump on a plane and go there, but that would leave my workplace seriously in the lurch, and things seemed stable for the time being. My sister and I decided I should wait until she could report just how bad things really were. It might make more sense and support them better, even if they needed help now,  for me to trust my sister could do just as good a job of that as I could. maybe I should wait until my sister had to go home and stay with Mum and Dad them. I strongly felt I should go, but I’d wait. Still, I worked back to 9pm getting everything as done as I could in the office, just in case I had to leave in a hurry.

I spoke to Mum on the phone. “Everything’s fine now.” She definitely didn’t think I should fly over. But she is the world’s biggest minimiser.

“We can manage on our own” is her mantra. Even if the house collapsed around them, she had two broken legs, and Dad was somewhere in the rubble, she’d be saying it. Having other people in their home distresses them, interferes with the routines their lives run by. They are happy living their own life in their own little world and don’t want anyone or anything to mess with that. An email from my brother’s girlfriend suggesting me going could upset them more than help decided me. Despite the inner conflict I felt, despite my gut feelings telling me to book a flight and go, I’d wait a day longer. At least until Mum was discharged from hospital or my sister needed to go back to her own place.

 I spoke to Mum on the phone again. She’d been moved to a bigger hospital to have a pacemaker inserted and was just back from the procedure. She sounded good. But I went to sleep on Wednesday night still feeling conflicted and unsure what was best for me to do. Pain gnawed at my stomach, as it had since the first phone call. The pain of feeling helpless and so far away.

Thursday morning, I explored my conflict in my morning pages. My need to rescue. My nurse/ older sister bossiness and belief no-one could do it as well as I could. I came to terms with the fact that my instinct to go could quite well be based on my own needs to “do something”, and might not actually be helpful to my parents at all. I trundled off to work feeling at peace with nt going charging to the rescue.

It didn’t last long.

I got to work early and called Mum from there, as I’d planned. Juggling the time zone differences made it hard to find a good time to call earlier.  It was evening in Sydney. She’d been discharged, was home already. Dad couldn’t remember why she’d been in hospital. Mum sounded confused too, unlike herself. she couldn’t remember the name of the thing she’d had put in at the hospital.

“Pacemaker,” I told her.

“Oh yes, that’s right,” she replied, but she sounded vague.

I tried not to worry too much, she’d been given strong pain relief, had only had anaesthesia not much more than 24 hours earlier. Sometimes those effects can take two to three days to leave the system.

Then, a series on increasingly worried and upset emails, texts and phone calls from my sister through the day. Things sounded bad.

First we decided, I had to go, but not for a couple of weeks, when my sister went home herself. Then, a couple of calls later, by mid-afternoon, we decided I should go soon. We came up with some plans for what she could do in the meantime, who she could contact in the morning. I worked late again, knowing I wouldn’t be in the next day and probably the next two weeks. Home at 11pm. Straight on to the airline website.

Damn, how could flight prices now be £400 more than they were when I looked yesterday? Well, it couldn’t be helped, I had to go.

But an email from my sister gave me pause. She seemed more reassured this morning, more comfortable with the situation. Mum’s confusion had passed. Things didn’t seem so bad. Still bad, but not as bad as they did the day before. She wanted me to wait until she’d made some calls to book my ticket. We talked about what we saw as the needs in the situation. We both made calls and emails to various aged care agencies who might be able to offer help.  Late, very late, I went to sleep, still thinking that in the morning I’d be buying a ticket to fly tonight.

This morning, I called my parents again. They sounded back to normal. My sister and I spoke for hours on the phone. Made more plans. Decided that it really wouldn’t add anything to the situation to have me there now. I’d be on stand by instead, ready to jump on that plane if things got worse.

Tonight, we spoke again. It’s clear I will have to go, it’s just a matter of when.

So it’s been a roller coaster ride of a week. Lots of drama and stress and anxiety. The main thing is, my parents are kind of okay, emphasis on the “kind of”, but still, okay.

My productivity has been shot though, completely and utterly. I did do my morning pages every day. I did do typing practice, at least once, so I didn’t completely neglect my long term goals. But actual storifying has flown out the window. A few notes. A few story words. That’s it.

I didn’t manage to find a still centre where I put aside the drama to write. I didn’t achieve anything for myself.  I didn’t achieve anything that actually helped my parents either. I did support my sister, which is a good thing. Sometimes, the personal goals have to come second.

But today, I’m in need of encouragement and motivation.

I found the manifesto. And I found this-

“We must all suffer one of two things: the pain of discipline or the pain of regret and disappointment.”

In choosing to write, you must choose the pain of discipline. Good news: it’s not that painful, once you get used to it. You just have to make it more important than other things you could spend time on.

Make your art your obsession. Fall in love with it. Experience withdrawal symptoms when you don’t give it your attention.

This weekend, I want to stay available for my parents and my sister, but not get caught up in the drama at the expense of everything else. I want to get my focus back. Because I’m having story withdrawal symptoms.

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